“Everyone wants to understand art. Why not try to understand the song of a bird?…those who try to explain pictures are usually barking up the wrong tree.” – Pablo Picasso. What Picasso says about understanding art is extremely highly relevant to how you approach Large Abstract Canvas Art. Many individuals believe that abstract paintings must have a certain meaning of some sort, which may be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense in regards to what they believe the artist was seeking to say. The almost inevitable results of this situation is that people either can feel as if they are being excluded from sharing in some secret knowledge, or alternatively conclude that abstract painting is in fact all a sham. In any event, the end result is the fact that many individuals tend not to feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark as far as my very own paintings are concerned. If I enjoyed a specific message or a meaning that I could articulate in words, i then would articulate it in words – the painting might have no purpose. The complete point of creating an abstract painting is that it embodies something which only it can, in a way that can not be put into words. It is far from an essay this is a painting – it encompasses and expresses things in a language that is certainly unique towards the medium of paint. For this reason we should not make an effort to ‘understand’ abstract paintings in the manner people sometimes feel they ought to be able to.
The viewer must not look for a clear narrative inside an abstract painting – it is not going to tell a tale, or make reference to an external ‘subject’ in the same way which a figurative painting will. But that does not necessarily mean there is no meaning or no subject, or that abstract paintings cannot communicate with and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am the subject”. Pollock’s statement is not just true, it really is inevitable.
The experiences, personality, memories and mood from the abstract artist cannot help but be fed in to the Large Black and White Wall Art when the artist approaches the job in an open and honest way. I do not need another subject or idea before I can produce a painting – I simply begin. The truth that I am just me and no-one else is what makes my work different to anyone else’s, and the same holds true of all the artists. The colours I choose, the marks a make, the accidents I select to depart, or even to obliterate, these are generally all things i choose because of who I am just.
If you were to present several different artists with the same basic design over a canvas and ask them to pick up a brush and develop the painting, the differences in what they would elect to do will be enormous. I actually have watched other abstract artists at the office on paintings and thought “I might never in a million years have selected that colour and set it there.” Not because I believe it is wrong or bad, but as they are who they really are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are lots of great styles of painting available, as a result of a wealthy art history that has seen movement after movement. The term abstract art is usually used a blanket term to illustrate non-representational art – this is the deficiency of recognisable subjects. Abstract art was connected to the rise of modernism over the past century, getting into the mainstream with abstract expressionism in post-war art but still continuing to influence artists today.
What brought regarding the qualities we percieve in abstract art? The flattening of the artist’s canvas surface is one major quality, as artists moved far from a convincing illusionism towards broader-minded thinking. With all the invention of photography releasing the artist from painting as a method of recording reality, they began seeing the canvas surface as an object in its own right, using the canvas being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and began to form its own qualities based on the way it was handled. The paint could exhibit ‘personality’, it had their own dimensions and opened up a multitude of xsjvnx techniques we see in artwork from the last century. One of many reasons artists began Picture to Canvas Painting inside an abstract way was the opportunities for greater creativity. It allowed to get a greater selection of expression and the creation of ideas that had been not reliant on representing reality any more.